Friday 29 September 2006 STONE LOVE 17:00-19:00 with Richie 1250

This week on Stone Love, Richie will be playing some excerpts from a delightful conversation he recently had with Sachiko Kanenobu - a woman who could probably be best (or most easily) described as the Japanese Joni Mitchell. Her landmark, 1972 album, Misora has been re-released on Guy Blackmans Chapter Music label, and it's real nice.

Tune in to hear Richie chatting to Sachiko about her record, Japan in the sixties and her friendship with science fiction giant, Phillip K. Dick (author of Do Androids Dream of Electric Sheep? AKA Blade Runner and A Scanner Darkly.

ABOUT
Twenty-eight years after its release, Sachiko Kanenobu’s first album 'Misora' is today cited as a major influence by a new generation of Japanese musicians. Japanese groups Grapevine and Freebo both recently covered songs from the album, while 'Shibuya-kei' artists, Sunny Day Service, Kenji Ozawa and Kazuyoshi Nakamura all tout her as a source of inspiration.

'Misora' was released during the Japanese 'folk boom' and featured seminal figures Happy End and Haruomi Hosono. Kanenobu was labeled the 'Japanese Joni Mitchell'. However, before the album was even released, she took off to America, not to return to the Japanese music scene until now. After getting married and having children, her music career remained on the backburner for the first six years she lived in America.

It was a meeting with science fiction writer, and author of 'Bladerunner' Philip K. Dick who first encouraged her to get back into music. After visiting her in New York and listening to and loving ‘Misora’, he encoraged her to start writing songs again. Dick sponsored her first American recordings, which she sung in English, but unfortunately he died soon after. Kanenobu moved to California, but continued to write new songs. She toured Germany in the eighties and early nineties, steadily building up a following on the folk festival and club circuit. She formed a band called 'Culture Shock', and cut a couple of albums for release in mainly Germany.

However, it's only with the release of her new album 'Sachiko', that Japanese fans have been treated to a bona fide new album of nearly all new songs. 'Sachiko' is an eclectic blend of many types of music, including Asian, Celtic, African, Indian, Middle Eastern, flamenco and club music. Her interest in music from other cultures was aroused during the 'State of World Forum' held in San Francisco in 1996 and organized by Mikhail Gorbachev. Kanenobu participated as a Japanese singer, and met many other musicians from around the world. The theme of 'Sachiko' is unconditional love, and love as a source of energy.

Recorded in San Francisco, the album features musicians from including Africa, Pakistan and Ireland all living in and around the San Francisco Bay area, while her long time friend, Japanese producer Makoto Kubota mixed the album. The theme of 'Sachiko' is unconditional love, and love as a source of energy.
(source: www.farsidemusic.com)